Tag Archives: Lawrence of Arabia

Large-Format Cameras and Lenses

The other day my brother Alex and I were talking about large-format cinema cameras and what makes that acquisition format special, considering that the Oscar-winning film THE REVENANT used the Alexa 65, and just prior to that DP Robert Elswitt, ASC photographed the underwater vault sequence in MISSON: IMPOSSIBLE – ROGUE NATION with the same camera. He needed the highest resolution and frame size for the extensive CG work required to pull off that amazing, high-tension moment.

Large-format cinema, primarily 70mm films from the late 50s through late 60s have always fascinated me, starting with LAWRENCE OF ARABIA.

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