We’re not the first to post Pixar‘s 22 Writing Laws and we certainly won’t be the last, but bare in mind — it is always good to review story fundamentals […]
One of the things that weigh on screenwriters is the number of people who actually read your material. Unless it’s getting made, perhaps 30 people TOPS will read the work you’ve spent countless hours on. Such is the vagaries and frustrating aspects of the business.
What is doubly irksome is a screenplay isn’t a work that […]
What makes color have an impact in cinema?
How it’s used.
Why it’s used.
What subtextual value the filmmaker assigns to a given color.
What specific color palette is used.
In cinema, color comes in two forms – light and production design (which includes costumes, hair, make-up, props, and set design); top-of-their game filmmakers utilize both to fit the characters […]
As we prepare our press kit for the Sundance Film Festival submission, we had a chance to review the behind the scenes stills (you forget these things in the midst of post).
It’s only in the behind the scenes photos do the technicians and crafts people get a chance to be “seen”. Yet every filmmaker […]
Here’s the concept sketch and the the final verison of the comic book cover for the premier issue of DUSTED.
Dusted is going to be equal parts depravity and sexy; it’s about the sinners in a plutocratic future world. A world right before dystopia takes over society.
The art for the first issue of THE DARK ARTS is completed, and we’re working on getting it lettered.
Here is a look at some of the sequential art.