At the DGA screening of Edgar Wright’s BABY DRIVER, Christopher Nolan (of BATMAN and INCEPTION fame) handled the exceptionally smart Q&A with the near-manic Wright. Nolan’s questions discussed the project’s genesis (some 20 years in the making) and the complex pre-production process, which was told with a certain amount of joie de vivre! Wright, as you’d expect, is a solid raconteur.
BABY DRIVER is a… charismatic… film; to categorize it, I’d say it’s an action musical (a musical thriller is a moniker I’ve seen, too). Wright explained how every sequence was written for a specific song — with precise script page counts honed and refined to a given song’s run time! For example, if a chase was married to a song and the song was four and half minutes, then the chase was taking up four and a half pages in the script.